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The Geometry of Musical Rhythm : What Makes a Good Rhythm Good? read book PDF, EPUB

9781466512023
English

1466512024
The Geometry of Musical Rhythm: What Makes a "Good" Rhythm Good'is the first book to provide a systematic and accessible computational geometric analysis of the musical rhythms of the world. It explains how the study of the mathematical properties of musical rhythm generates common mathematical problems that arise in a variety of seemingly disparate fields. For the music community, the book also introduces the distance approach to phylogenetic analysisand illustrates its application to the study of musical rhythm. Accessible to both academics and musicians, the text requires a minimal set of prerequisites. Emphasizing a visual geometric treatment of musical rhythm and its underlying structures, the author--an eminent computer scientist and music theory researcher--presents new symbolic geometric approaches and often compares them to existing methods. He shows how distance geometry and phylogenetic analysis can be used in comparative musicology, ethnomusicology, and evolutionary musicology research. The book also strengthens the bridge between these disciplines and mathematical music theory. Many concepts are illustrated with examples using a group of six distinguished rhythms that feature prominently in world music, including the clave son. Exploring the mathematical properties of good rhythms, this book offers an original computational geometric approach for analyzing musical rhythm and its underlying structures. With numerous figures to complement the explanations, it is suitable for a wide audience, from musicians, composers, and electronic music programmers to music theorists and psychologists to computer scientists and mathematicians. It can also be used in an undergraduate course on music technology, music and computers, or music and mathematics., The Geometry of Musical Rhythm: What Makes a "Good" Rhythm Good? is the first book to provide a systematic and accessible computational geometric analysis of the musical rhythms of the world. It explains how the study of the mathematical properties of musical rhythm generates common mathematical problems that arise in a variety of seemingly disparate fields. For the music community, the book also introduces the distance approach to phylogenetic analysis and illustrates its application to the study of musical rhythm. Accessible to both academics and musicians, the text requires a minimal set of prerequisites. Emphasizing a visual geometric treatment of musical rhythm and its underlying structures, the author an eminent computer scientist and music theory researcher presents new symbolic geometric approaches and often compares them to existing methods. He shows how distance geometry and phylogenetic analysis can be used in comparative musicology, ethnomusicology, and evolutionary musicology research. The book also strengthens the bridge between these disciplines and mathematical music theory. Many concepts are illustrated with examples using a group of six distinguished rhythms that feature prominently in world music, including the clave son. Exploring the mathematical properties of good rhythms, this book offers an original computational geometric approach for analyzing musical rhythm and its underlying structures. With numerous figures to complement the explanations, it is suitable for a wide audience, from musicians, composers, and electronic music programmers to music theorists and psychologists to computer scientists and mathematicians. It can also be used in an undergraduate course on music technology, music and computers, or music and mathematics.", This book helps readers understand the general structure and evolution of musical rhythm. It focuses on a particular rhythm called the clave son, which is heard in music around the world and is best known in salsa dance music. Suitable for a wide audience, from musicians and composers to computer scientists and mathematicians, the book provides a visual geometric explanation of how this particular rhythm became the most popular rhythm in the world.

Godfried T. Toussaint - The Geometry of Musical Rhythm : What Makes a Good Rhythm Good? read ebook TXT, DOC

His main focus is the fifteenth, sixteenth and seventeenth centuries, which he considered the heyday of English music, and he claims that the earliest known free instrumental compositions, as well as the polyphonic style, originated in England during the fifteenth century.Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption.Russian composers encountered problems of structural organization, a factor that prevented several, including Taneyev and Balakirev, from completing some of their works.Chu outlines his treatment strategies and offers valuable guidelines on managing self-destructive behavior, controlling dissociative and post-traumatic symptomatology, and navigating the maze of the therapeutic relationship.It sets his music in the context of his cultural opinions, which, though conceived as reflections on music, have acquired a more political status to which the history of Pfitzner's times has contributed.The book's practice tests cover all CLEP General Exam topics: English composition, humanities, college mathematics, natural sciences, and social sciences & history.