The Red Screen : Politics, Society, Art in Soviet Cinema (1992, Hardcover) read online ebook TXT, FB2
9780415078184 English 0415078180 "The Red Screen" is unique because it encompasses seventy years of cinema history from the point of view of twenty scholars. Significant moments are highlighted in chronological order. The result is a challenging montage of detailed "close-ups" which will provide the reader with a clear understanding of the aesthetic developments and sociopolitical function of Soviet cinema., First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company., This original collection of essays was generated from papers presented at a conference on Soviet cinema in the US, which gathered together leading Soviet cinema scholars for the first time. The book encompasses 70 years of cinema history from the perspective of 20 academics of different backgrounds and nationalities. It highlights significant moments in chronological order providing a challenging montage of detailed close-ups. This gives the reader a clear understanding of the aesthetic developments and socio-political function of Soviet cinema. On the Red Screen covers the last two decades of Soviet cinema, previously neglected by scholars. This is especially important as the recent change in Soviet policies marked a turning point in the cultural establishment.
9780415078184 English 0415078180 "The Red Screen" is unique because it encompasses seventy years of cinema history from the point of view of twenty scholars. Significant moments are highlighted in chronological order. The result is a challenging montage of detailed "close-ups" which will provide the reader with a clear understanding of the aesthetic developments and sociopolitical function of Soviet cinema., First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company., This original collection of essays was generated from papers presented at a conference on Soviet cinema in the US, which gathered together leading Soviet cinema scholars for the first time. The book encompasses 70 years of cinema history from the perspective of 20 academics of different backgrounds and nationalities. It highlights significant moments in chronological order providing a challenging montage of detailed close-ups. This gives the reader a clear understanding of the aesthetic developments and socio-political function of Soviet cinema. On the Red Screen covers the last two decades of Soviet cinema, previously neglected by scholars. This is especially important as the recent change in Soviet policies marked a turning point in the cultural establishment.